Pennsylvania College
of Technology
Dr. Vavra's ENL 121: Lit & Comp |
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Spring 1998: MP # 3
A Set of Essays on Foils in
Hamlet
Introduction | |
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Conclusion |
udience: | #579 | |
hesis: | # 433 #777 #579 #514 | |
rganization: | #579 #275 #863 # 121 #674 | |
etails: | #116 #579 | |
tyle: | #539 | |
ntroduction: | #539 #426 #579 #376 | |
onclusion: | #453 | |
oils: | # 433 #539 |
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(Official / Self) |
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Shakespeare reveals the deceptive nature of man and the ruin it causes through his use of foils. |
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This plot and conflict develop from the similarities and differences between Hamlet and the foils. |
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Many of us are faced with much larger decisions, with very real and permanent consequences. So why do some of us back away from them, while others seem to just plunge right into them? The answer is not as simple as some would believe. |
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Through both Horatio and Laertes we see not only Hamlet's plan for revenge but also some of his feelings of doubt and confusion between what he thought he wanted and what he was actually capable of. |
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In order to show why Hamlet makes the choices he does, who he is, and what he is about, Shakespeare manipulates Laertes and the ghost as foils for Hamlet. In using foils, the reader can become more familiar with Hamlet. |
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Through similarities and differences these characters,
accentuate Hamlet’s pretense of being crazy, emphasize how Hamlet is an improper son by standards of the time and turn him into a tragic hero. |
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Such foils include Laertes, son of Polonius, Claudius, current king of Denmark and stepfather of Hamlet, and Fortinbras, the prince of Norway. |
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In the play "Hamlet," by William Shakespeare, the character Ophelia is a foil to Hamlet. |
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In William Shakespeare’s “Hamlet” there appears to be a foil which represents each emotion and behavior that is displayed by the main character- Hamlet. |
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In William Shakespeare's "Hamlet" foils are used primarily to reveal
Hamlet and Claudius as good vs. evil. These two foils help us to piece
the puzzle
together. |
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While Hamlet maintained his status as prince, it was Laertes that represented the well bred son of the royal family and the traditional revenge hero. |
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Two foils that Shakespeare used to develop Hamlet's character were Laertes and Polonius. |
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The foils in Hamlet help build up to the outcome of the play. |
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Revenge isn't good or sweet when it is in fact evil continuing to repeat itself. |
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In the play, the main concepts exhibited by the other characters are
revenge and betrayal. This idea is
developed through the use of foils and is eventually seen in Hamlet himself. |
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Foils are created in a play to help the audience better understand a major character by giving the character someone to talk to and compare the major character to. |
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There are two important foils in this play. |
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For example, love of a son for his father can be twisted and perverted, with the proper use of characters, into an outlet for hatred and revenge. |
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Some of these foils of the main character include Hamlet and Ophelia, Hamlet and Horatio, and [sic] |
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One of the overlying themes is revenge although in this time period honor was prevalent and it was necessary to carry out the revenge in an honorable fashion and I will use three foils to show this. |
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There are many foils but Hamlet/Laertes and Hamlet/King Hamlet will be the only ones explored in this essay. |
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The foils in William Shakespeare’s Hamlet, help the reader understand the main character; Hamlet. |
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Shakespear[e] uses foils in this play to allow us readers to understand Hamlet as a man and why and whom he is really avenging. |
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They learn that pursuing revenge is a dark way to travel and it cost them their lives. |
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Hamlet is driven to madness when his father’s ghost tells him of his foul death, and there are many characters that bring out the different sides of Hamlet. |
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These are the only two foils that I can come up with that have some similarities and some differences, but still think it is kind of difficult to determine which characters in Hamlet are foils. |
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The ghost is an image of his father and he looks exactly like Hamlet's father. |
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The four foils I will be using are between: the ghost and Hamlet, Claudius and Hamlet, Laertes and Gertrude and finally Laertes and Hamlet. |
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In Hamlet, Laertes, a minor character, who has also lost his father like Hamlet and who also seeks revenge like Hamlet was placed in the play to show that even in the game of revenge there are morals and limits that need to upheld. |
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Such an example is Laertes is a foil to Hamlet. |
The
papers posted here are two complete sets written during the Spring 1998
semester. The assignment was to write an essay on
foils in Hamlet, following a rather detailed rubric explained in
grading sheets. (The completed sheets are reproduced in each essay presented
here. ) I like the assignment on foils because the concept primarily depends
on finding and explaining similarities and differences. As I often note
in class, similarities and differences are a major focus of Sesame Street.
This children's program focuses on them because they are important in almost
every field -- from Culinary Arts to Plastics. Another reason that I like
the assignment is that it is a clear invitation to students to move beyond
a simple outline (and paragraph) structure. As a simple example of that,
students can (and most do) spend at least two paragraphs on a single
foil -- one to discuss similarities; the other, differences. (Students'
outlines are included here after their essays.) Still another advantage
of the assignment is that it forces students to define and learn a concept
(foil) and then to apply it in a different context.
In preparation
for the assignment, the class read and discussed Ibsen's A Doll's House.
In two class periods (Wednesday, March 18, and Friday, March 20) we discussed
A
Doll's House with particular emphasis on Rank and Ms. Linde as foils.
In the course of discussing this play, I told students to look at this
third major paper assignment, i.e., I wanted them to realize that the concept
of foils would be important to their work on this paper. On March 25th,
students wrote an in-class essay on foils in A Doll's House. This
essay was graded, returned, and briefly discussed in class. Four class
periods (March 27, April 1st, 6th, and 8th) were then devoted to reading
and discussing Hamlet. Technically, therefore, the students had this major
paper assignment on April 8th. This date is important because students'
logs -- reproduced here after each essay -- indicate the date on
which they claim to have started the assignment.
As a matter
of policy, I do not allow students to revise papers once they have been
graded, but students are encouraged to show me a thesis and outline any
time before the essay is due. My experience suggests that 1) most students
who would need to revise do not understand the concept of revision, and
2) allowing them to revise after the grade simply invites sloppy first
efforts. A "policy," however, is simply a guide for what to do when one
has no reason to do something else. Based on what drafts, storming, revision,
etc. accompanies the finished essay (in the envelope) and based on the
students' logs and previous work with me, I usually give three or four
students the option of revising for a better grade.
I had
long been mentioning my desire to put a complete set of essays on the web
so that students could see what other students were handing in. Thus I
asked the students to agree to handing in electronic copies and letting
me put an entire set of papers on the web with their names on them. The
majority of students decided that they would prefer that I put the papers
on the web site without names, but graded with comments.
When I
received the papers and disks, I attempted to change the disk copies into
HTML documents (for the web), and to grade and comment on them in the HTML
version. Approximately eleven papers were done this way, but this process
took approximately two hours per paper, and there was no way in which
I could complete them soon enough to give students their grades in time
for them to decide if they wanted to do the fourth paper. I therefore graded
the rest of the essays on the paper versions and gave students their grades.
I retained copies of my comments, the students' logs, etc. The remaining
papers were therefore added to this site at leisure (?) after the essays
had been graded and returned to students.
In the
students' essays as presented here, the students' text and grades are in
black; my additions and comments are in red. Because I have gone back over
these papers at leisure, I have also indicated things that I would (perhaps
"should") have graded differently. In most cases, these are a matter of
a point higher here, or lower there. In general, they have little effect
on the student's final grade. Even if these differences would change a
grade from, for example, a C to a B, they would have little effect on the
student's grade for the course. That grade includes many other components,
and, at the end, my final evaluation. [I can never, at the end, lower a
student's grade below the recorded average, but I can and do occasionally
raise grades. At the end of the course, a student who has an average of
80 gets a B, no matter what I think of the student's overall work. But
a student who has a 78 may also get a B, based on what I see as a pattern
of improvement, effort, etc.]
As noted
in the "Introduction," my original purpose was simply to give students
a complete set of essays so that they could see their work in the context
of that of their classmates. The students' preference -- that I not use
their names, and that I grade and comment on the essays -- changed my objective.
I had previously considered putting out a set of graded essays with comments,
but I knew that such a project is more complicated. The complications
became even more apparent once I started grading essays in the web versions.
For one
thing, grading electronically is significantly different from marking a
paper. On paper, one can circle words or phrases and draw arrows. On paper,
I have at times put a big "X" through an entire paragraph, or scrawled
"Examples?" in big letters across an entire paragraph. Such markings are
not available electronically. On the other hand, electronic hypertext,
as in web pages, allows me to prepare rather lengthy explanations for specific
points and then to simply link to them from individual papers. This allows
readers to click on the link, read the comment, and then hit the back button
to return to the essay. [I used to do something similar by using macros
in Word Perfect.]
Another
complication involves the purpose of the set of essays. With the first
eleven papers in this set, I was attempting to grade the paper on the web
such that the writer would get back the graded paper with comments on the
web. This meant that my comments had to be made in relative haste and that
they were aimed primarily at the writer of the essay. Once I realized that
this would be impossible, the primary purpose shifted to presenting current
and future students with a set of essays that would reflect not just the
range of students' writing, but also my overall reactions to the papers.
How to
grade and comment on students' writing has long been a source of controversy
among English teachers. It is a complex question. Most teachers (and probably
most students) realize that many students only look at their grades. Comments
are ignored, particularly if they are not positive. Early in my career,
I would spend twenty or thirty minutes writing extended comments on papers
only to see the student look at the grade and drop the paper in the waste
basket on the way out of the classroom. I'm slow, but I'm not stupid. Once
or twice of that was enough.
Early
in the semester, therefore, I do not write any lengthy comments. Instead,
I usually invite the writer to discuss the essay with me. (Some students
do; many don't.) As the semester progresses and I come to know the students,
the nature of my comments depends on the students. The more that a student
has demonstrated an interest in learning, the longer are my comments likely
to be. Still another factor is the quality of the paper. I write longer,
more complex comments on the better papers. The writers of these papers
either mastered the basic material or followed the basic directions. Explaining
the fine points takes time (and words), but since these students have shown
that they care, I'll spend the time. On the other hand, weaker papers are
generally the result of not following basic directions, or of not having
done the basic homework, etc. If the students haven't read the basic directions
I gave them, why should I write extended comments on their essays?
This situation
changes, however, when the essays and my comments are intended for the
web and future students. The writer of a weak paper might not even read
the comments I make, but many other students will. As a result, my comments
on these papers are more detailed than they normally are.
The Beatles Songs on this page and the students' papers are from the Beatles' Midi Directory.